:: Arizona Bike Week ::
EQUIPMENT LIST
Front of House Consoles
Midas XL200
Yamaha M7CL- 48
Front of House Processing
Yamaha SPX-2000
Yamaha SPX-990
TC Electronic D- 2
BSS DPR-404
dbx 1066
dbx 1074
Front of House Drive
dbx Driverack 4800
Klark Teknik DN-360
Shure P4800
Front of House Loudspeakers
EAW KF750/755
EAW BH760
EAW JF80
Mackie SRM450 (vendor area public address)
Front of House Amplifiers
Crown I-Tech
Monitor Consoles
Midas H3000
Yamaha M7CL- 48
Monitor Processing
BSS DPR-404
BSS DPR-504
Yamaha SPX-990
Monitor Drive
Klark Teknik DN-360
Monitor Amps
Crown I-Tech
Monitor Loudspeakers
Radian Microwedge
EAW KF600i
EAW SB250
EAW SB1000
Buttkicker
Shure PSM 700 Wireless IEM
Shure PSM 600 Wired IEM
Left: Crown’s I-Tech Series of
power amplifiers powered the PA.
Above: An EAW JF80 frontfill sits
on the lip of the stage.
Microphones
Shure UHF-R
Shure
Sennheiser
AKG
Audio-Technica
Neumann
Miscellaneous
Motion Labs Distro
SMAART Live
positioned in front of a 40 x 40-foot
stage, expanded up this year from a 40 x
32-foot stage to satisfy set requirements
for Cheap Trick. Crown I-Tech amps
provided the power. SMAART Live
was employed by Mote primarily for
time alignment of the system.
At Front of House and monitor
world both analog and digital represented. Mote said, “This year we had at
Front of House a Midas XL 200 which
is kind of our festival workhorse. It’s
really easy to use. There’s not always a
lot of time for sound checks and there
are charity raffles and things like that
that happen in the tent where the concerts occur as well, so something that
is really familiar to everyone is pretty
important.” A Midas Heritage 3000
was used for monitors and Yamaha
M7CL’s were situated at both locations
for the digital representative. Mote
continues, “It’s really kind of an ideal
scenario for us, some bands prefer to
work on the M7CL because they had
the cards already, or were more familiar with the console, so we were able to
provide the headlining acts what ever
they wanted to use.”
Both 12- and 15-inch Radian
MicroWedges (the original Dave Rat
design that the EAW monitors are
based on) were employed for monitors,
again powered by Crown, though as
Mote recalls, “Several of the acts had
in-ears, and we provided some. We
used the Shure PSM 700’s and the
PSM 600’s for hard-wired, and Cheap
Trick brought out their own set.”
Mote added, “We just picked up
Crown I-Tech 4000’s for the moni-
